“Why someone told me that it’s a great film for street photography is honestly a bit beyond my comprehension.”
I like to equate my experience of film photography to that of the experience that the older generation of photographers who experienced digital for the first time. At 30 years old, I still haven’t had the opportunity or the time or step into the darkroom. I never had the opportunity to do it either in college or high school. So to continue with the evolution of film and how it can deliver pleasing images, I believe that using newer, sharper lenses designed with digital sensors in mind is a great way to get even more out of film. Ilford Pan F Plus is arguably the sharpest black and white film out there with TMax and Acros being a bit behind, but if it was sharp even in the days before all of these fantastic new lenses started coming out, then when using these new lenses the film should arguably be even better.
If you’re reading this post, there are strong chances that you remember disposable cameras. My mother, who wasn’t that tech savvy at all, turned to them often when her Olympus camera broke. My college graduation was photographed on one in 2009 when I and many others had switched to digital point and shoots. My parents used them at events. So did my aunts and uncles. I always remember how fun they were–small, portable, and almost never reloadable until Lomography created their own reloadable versions earlier this year. So it was a complete blast from the past when I decided to try out Ilford’s disposable cameras.
Ilford films are available for pretty much any type of photographer that you can name or list. At the moment, they have the largest selection of black and white films on the market as it is pretty much all that they produce. So with that said, there’s no good reason why landscape photographers would have been left out. Many photographers shoot landscapes as a hobby and very few actually end up selling prints of their images or being commissioned for tourist reasons. The look that Ilford film can provide is one that’s quite interesting. There are tons of photographers out there who shoot digital and simply try to create keystoned HDR photos. But that’s not really what film does.
The company quite literally specializes in black and white film and for that reason they offer a multitude of products for a multitude of applications.
While Kodak has created an analog film culture in the street photography community that is almost synonymous Kodak Tri-X 400, Ilford films have also been incredibly popular in capturing everyday life on celluloid.
“…if you didn’t know any better, you’d probably just completely skip the fact that there is indeed black and white instant film out there.”
“Look at what has happened on Instagram, look at the selfie world and the increasing amount of pay-per-view sites that photographers and models can make quick cash by selling ‘naughty’ photos online. I want nothing to do with that.”
“Maturing in the world of photography I realize that the correct gear helps to create a personal vision.”
“Capturing a person’s life and personality through a photograph is such a wonderful challenge…”
This beastly camera does a fantastic job in the studio.
My creative influences are widely ranged from the great photographers like Lindbergh, Avedon, Demarchelier, over literature like Paulo Coelho and Charles Bukowski right over to the cinematic world.
Alexander Laurent uses Fujifilm Acros 100 film in the studio.
“Walking through his gallery made me feel oddly at home.” Jeff Rojas says about Irving Penn’s work.
He started to realize that photography and music and both linked via composition, editing, mixing and levels.
“I trust you.” is the absolute best thing that a photographer can hear.
You just need to be in touch with your inner artist.
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“All you need is a Metrocard and a curious disposition.”
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