Kodak T-Max loans itself to pinhole photography very well due to its nature.
Here’s what you NEED to know about Fujifilm Acros.
“There is a very real, calculable, “cost” to creating an image that makes me think more deeply about what I am attempting to convey in each frame.”
Acros can be anything that you want it to be. To that end, it’s truly for creators with a vision.
“For me it is like the difference between a cocktail and a glass of wine. Both have their places in our lives.”
Ever wonder how the Fujifilm Acros 100 emulsion and the digital presets compare?
This month: we’re exploring Fujifilm Acros.
Learn how to get the most from the Acros simulation in your Fujifilm Digital Camera.
“Kodak Tri-X is the most famous film of all time, it has a look in it that is easily recognizable.”
“I started use Tri-X three years ago, and I literally fell in love with that beautiful grain.”
F8 and be there! Well…sort of.
Pushing and pulling Kodak Tri-x, exposing, studio lights and a whole lot more are covered here.
“Connection. Connection and depression.” is what Nick Nemphos says about what inspires him to create photographs.
For many years, photographers everywhere trusted Kodak Tri-x not only for its reliability, but also because it was simply just an incredible black and white film emulsion. Over the years it evolved and these days only the ISO 400 variant still remains. It’s a high speed film that is still in use with street photographers, documentary photographers, and well honestly a lot more than that. It’s prized for its look combined with it’s price point.
“When a photograph is captured on film, you are freezing a moment in time that would otherwise only live in your memory.”
There was a period of time in the evolution of photography from film to digital where it was inevitable that perhaps every single film emulsion would disappear: but the one that stood out as impossible to disappear in everyone’s mind arguably was Kodak Tri-X 400. For years, this film has been on the front lines…
“…documentary photo projects have had the potential to change the world; exposing atrocities and ending wars.”
Sometimes the best camera is the one you have one you. But these are better I’m sure.
Remember: All anyone sees are the images.
These are some incredible resources for documentary photographers to check out.