Acros can be anything that you want it to be. To that end, it’s truly for creators with a vision.
Ever wonder how the Fujifilm Acros 100 emulsion and the digital presets compare?
Learn how to get the most from the Acros simulation in your Fujifilm Digital Camera.
F8 and be there! Well…sort of.
Pushing and pulling Kodak Tri-x, exposing, studio lights and a whole lot more are covered here.
For many years, photographers everywhere trusted Kodak Tri-x not only for its reliability, but also because it was simply just an incredible black and white film emulsion. Over the years it evolved and these days only the ISO 400 variant still remains. It’s a high speed film that is still in use with street photographers, documentary photographers, and well honestly a lot more than that. It’s prized for its look combined with it’s price point.
“…documentary photo projects have had the potential to change the world; exposing atrocities and ending wars.”
Sometimes the best camera is the one you have one you. But these are better I’m sure.
Remember: All anyone sees are the images.
These are some incredible resources for documentary photographers to check out.
The good thing about digital cameras dominating in popularity over film these days is, many photographers have ditched their film equipment, therefore all the items needed can be found for pretty cheap from thrift stores, eBay, Craigslist, and local photo schools.
We also need to talk about loading 120 film, because even if you have experience with 35mm film, 120 is a totally different beast in terms of how you load it. You see, 120 film comes on rolls, so it’s just one long roll of film.
The pinhole camera has been a classic DIY project for students discovering photography for many decades. If you want to get a deeper appreciation for the basic DNA of a camera, build a pinhole camera. Pinhole cameras are bare-bones cameras; they consist of a black box, a place to put photo-sensitive material, and a pinhole-sized opening that projects a faint image on light-sensitive material. Stripped of the bells and whistles, all cameras—film and digital—follow this design. Some (OK, almost all) cameras are more advanced. But DIY is making a comeback, especially among millennials, so, let’s make a pinhole camera!
“Since typical street shooters need to capture fast-changing moments, the faster the film the better.”
“…going into your shoot with some sort of story that you want to tell can be a great way to help you keep a good flow and have those 36 exposures count.”
Japan Camera Hunter Street Pan 400 film is an exciting entry into the film photography world. It’s designed for street photography and is also designed to be nice and sharp. For the most part, it really is a sharp film. All of my testing has been with the Hexar AF–perhaps one of my favorite 35mm cameras of all time and perfect for capturing candid moments. So if you’re a street photographer looking to work with something different, then this is probably the film to get.
If you are just getting started in B&W film photography, before you decide which brand of B&W film to go with, you should first consider what your subject will be. This will determine which speed of film to use in order to have the best results.
It’s that time again!
“My most dreaded stage scenario is the all over red lights – it might look cool to the crowd, but does terrible things to a camera.”
“…you can just get outta here with any ideas of taking your ‘professional’ camera into the show with you without a press credential.”