I think we’ve all seen it: photography that follows a simple recipe. It’s in the black and white world and it goes something like this: convert to black and white > raise clarity > raise sharpness > raise contrast > export. Sometimes they’re done well, but more often than not that’s very rare. Most of the time the images look like tacky digital simulations due to people not understanding light and exactly what’s going on. All of this has its roots in the film days.
Rangefinder cameras are hot; they’ve gone through a period of glory, then spent time in the darkness, then returned, and now they’ve returned again in one of the biggest ways. The type of camera typically associated with Leica and used as an icon for loads of different graphics is indeed something that most folks would want. Though if you’ve never considered one, then you probably may not know where to start or you may have gotten one or two things wrong. Take some advice from someone whose screwed it up a number of times now.
It’s just a tool. Nothing more.
He started to realize that photography and music and both linked via composition, editing, mixing and levels.
Concerts and the musicians in them run the gamut of personalities: they can be really crazy and all over the place, or they can be pretty stagnant.