Ilford films are available for pretty much any type of photographer that you can name or list. At the moment, they have the largest selection of black and white films on the market as it is pretty much all that they produce. So with that said, there’s no good reason why landscape photographers would have been left out. Many photographers shoot landscapes as a hobby and very few actually end up selling prints of their images or being commissioned for tourist reasons. The look that Ilford film can provide is one that’s quite interesting. There are tons of photographers out there who shoot digital and simply try to create keystoned HDR photos. But that’s not really what film does.
“…if you didn’t know any better, you’d probably just completely skip the fact that there is indeed black and white instant film out there.”
“Look at what has happened on Instagram, look at the selfie world and the increasing amount of pay-per-view sites that photographers and models can make quick cash by selling ‘naughty’ photos online. I want nothing to do with that.”
“I trust you.” is the absolute best thing that a photographer can hear.
You just need to be in touch with your inner artist.
Let’s pretend for a moment, that you are in a meeting with a millionaire.
Urban Geometry is founded on the ideas of Bresson. But to master it, you need to evolve as a photographer and an artist.
Kind of boils down to personal preference – as in what subjects you like to shoot…”
Kodak T-Max 400 works in a different way from Kodak Tri-X 400. Let’s explore it a bit.
Here’s what you NEED to know about Fujifilm Acros.
Acros can be anything that you want it to be. To that end, it’s truly for creators with a vision.
Ever wonder how the Fujifilm Acros 100 emulsion and the digital presets compare?
Learn how to get the most from the Acros simulation in your Fujifilm Digital Camera.
F8 and be there! Well…sort of.
Pushing and pulling Kodak Tri-x, exposing, studio lights and a whole lot more are covered here.
For many years, photographers everywhere trusted Kodak Tri-x not only for its reliability, but also because it was simply just an incredible black and white film emulsion. Over the years it evolved and these days only the ISO 400 variant still remains. It’s a high speed film that is still in use with street photographers, documentary photographers, and well honestly a lot more than that. It’s prized for its look combined with it’s price point.
“…documentary photo projects have had the potential to change the world; exposing atrocities and ending wars.”
Remember: All anyone sees are the images.
These are some incredible resources for documentary photographers to check out.
“When trouble forms the very heart of a story, journalist must seek out subjects who are most likely to see it again, and allow us to witness it though their eyes.”