In the medium format world, you’ll find that there are a whole lot of rangefinder cameras, but not a whole lot of good ones–the Fujifilm GW690 III is the exception to that statement. When we talk about medium format rangefinders, lots of folks immediately whisper Mamiya, Bronica, Fujifilm–no one mentions Voigtlander or Zeiss. But as it is, Fujifilm’s highest end rangefinder could could indeed be this. While there were newer cameras to come out with a light meter and all, nothing really matches the sheer size of a gorgeous 6×9 negative. That’s what the Fujifilm GW690 III fires. Originally designed for landscape photographers, it’s found its way into the hands of modern portrait photographers and even street photographers. With a big, bright rangefinder to it and a beautiful 90mm f3.5 lens rendering the equivalent of a 35mm f1.2 in full frame 35mm, there isn’t a whole lot to hate about the Fujifilm GW690 III.
There’s no better time to get a rangefinder camera.
Rangefinder cameras are hot; they’ve gone through a period of glory, then spent time in the darkness, then returned, and now they’ve returned again in one of the biggest ways. The type of camera typically associated with Leica and used as an icon for loads of different graphics is indeed something that most folks would want. Though if you’ve never considered one, then you probably may not know where to start or you may have gotten one or two things wrong. Take some advice from someone whose screwed it up a number of times now.
Want a rangefinder camera without a whole lot of complications? Look no further.
Creative vision is what matters in the end no matter what the internet may tell you about rangefinder cameras.
The other night I spent some time going to an event in Chelsea all the way in the middle of the gallery district. Every Thursday night you’re bound to find tourists and people genuinely interested in the arts hanging around. But this event was for Huawei, you know–the mobile phone maker. It was to celebrate…
There’s absolutely no secret to this: Instagram posts are at an all time low when it comes to interactivity with your own following. Photographers have been feeling the burn for awhile because it can make clients harder to find and to market to. But what photographers haven’t necessarily known is that Instagram stories is the big thing that helps counter that problem. How?
When you go about taking pictures with your smartphone, you’re probably not going about thinking into the scenes too much. For the most part, the beauty of smartphone photography is how candid it can be if you’re just looking for a quick photo. But lots of folks either use their smartphone as their primary camera or they feel confident enough in their abilities to produce great work. With so much technology packed into today’s phones, it’s indeed incredibly simple to take better photos.
We’re going to get you started from the ground up.
Anyone that has done smartphone photography before in the past knows that the secret to outputting better photos isn’t in the shooting process necessarily but in the post-production process. With that said, you’ll need the best apps that you can get your hands on to do something better. Unlike actual, dedicated cameras, everything with a smartphone is done via software of some sort. Everyone obviously knows about and uses Instagram, but if you’re not exploring other options then you should strongly consider these.
It’s just a tool. Nothing more.
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The decisive moment is one in street photography that is often spoken about being captured, but it can also be created.
Leading lines: they’re one of the first things that every photographer learns about when it comes to shooting images in school. If you learned online and without format training, then you probably studied the rule of thirds first. But when you’re looking at a photo, one of the best ways ro artfully create an image that photographers have traditionally been taught is by using leading lines. Call it a rule that needs to be broken, it’s still a very effective one that when done correctly, can trump pretty much any other rule out there with the exception of using text in an image. For many years, black and white photography was the way to go. But when color came around, things changed quite a bit.So let’s explore leading lines and black and white photography.
“Silver gelatin photography changed the world by democratizing photography.”
The Fujifilm Instax SP-3 printer is something that many have been looking forward to for a really long time.
For some photographers, printing is the ultimate way of displaying their photos.
What do you think of immediately when you say that you’re going to sell a print? Is it just a piece of paper and nothing more? If that’s what you’re doing, then you’re probably selling prints wrong or the person that you’re buying them from isn’t doing it right at all. Because it isn’t done as much, printing is sort of a lost art–or at least it’s starting to become one. The art of bringing your photos into real life though isn’t something that loses its impact. Every time you see a photo of your manifest itself onto a piece of paper or other medium, it should be magical if done right. And that magical experience should be shared with others. But to do that, you have to treat others with the same respect that you would want.
The best experiences for printing really come when you do it yourself. It’s really convenient to have CostCo, Adorama, or other services print for you. But they offer a very sort of standard type of paper. In fact, if you looked at what company sells the most paper in America, it would be Fujifilm. Fujifilm? Really, you say? Yes. Go to any pharmacy and get your images printed, they’ll be done on a Fujifilm glossy paper. Fujifilm for sure gives the absolute standard for what you get from most kiosks of some sort. But if you’re looking for a different look, it can be a bit confusing. So here are some of our favorite papers.
The secret to better business cards is not only about having meaningful conversations.