For some photographers, printing is the ultimate way of displaying their photos.
An inspiring documentation of the monochrome lifestyle
From Spotlight
Andreas Theologitis: “Beyond Dark”
“Maturing in the world of photography I realize that the correct gear helps to create a personal vision.”
Oliver Moosus: The Diversity of the Human Face
“Capturing a person’s life and personality through a photograph is such a wonderful challenge…”
Dominique Seefeldt: On Creating After Losing the Fear of Studio Flash
My creative influences are widely ranged from the great photographers like Lindbergh, Avedon, Demarchelier, over literature like Paulo Coelho and Charles Bukowski right over to the cinematic world.
Alexander Laurent: Comparing Good Portraiture to a Waltz
Alexander Laurent uses Fujifilm Acros 100 film in the studio.
Jeff Rojas: On Photographing In the Studio And Not Giving Into the Trends (Premium Interview)
“Walking through his gallery made me feel oddly at home.” Jeff Rojas says about Irving Penn’s work.
Thibault Maestracci: Portraiture Inspired by Music
He started to realize that photography and music and both linked via composition, editing, mixing and levels.
Derek Prospero: Photographing the Soul of a City in Black and White
“All you need is a Metrocard and a curious disposition.”
Pietro Bevilacqua: An Attraction to Forms and Their Union
“It was like getting reborn!” says photographer Pietro Bevilacqua about his photographic journey…
Paul Stone: A Photographer in His Own World
“The moment I made a black and white inkjet portrait on an old Epson 1290 was a big moment for me…”
Joshua Cook: Urban Geometry Based on Clean, Straight Lines
Black and white is important to the future of art in the world because everything is always so busy and nobody can concentrate on anything for more than 5 seconds anymore.
NYRoamer: Timeless, Classic, Seductive Black and White Photography (Premium Interview)
“I feel they are timeless, classic, and seductive.” says @NYRoamer on Instagram.
Alexander Benz: Discovering Black and White Urban Geometry in NYC
“I often roamed the city at night, always having my camera, a Leica M6 loaded with high speed 3200 ASA film, with me.”
Joel Tjintjelaar: Defining a Unique Creative Vision with Urban Geometry (Premium Interview)
“There’s a certain quietness and introversion to a black and white print hanging on a wall.”
The Puna: The Desert in Kodak TMax 400
“You know Robert Delpire a french photograph said one day that, ‘What I like in a photograph is the silence and black and white is silence.'” says Photographer Christophe Thillier, who states that he’s a big user of Kodak TMax 400 film in an email to us. Mr. Thillier is a geologist who works in remote places. He shares with us that he’s generally in deserts and that that’s where silence prevails. Deserts, where the light is extremely sharp and hard, also does well with Kodak TMax 400.
Ignacio Gonzalez: Photographing Cyclists With Kodak T-Max
More and more lifestyle photography is being done with film these days; and for great reason.
Alexander Gavrilov: Moscow’s Architecture in Kodak T-Max
Kodak T-Max helps make these buildings almost look like scenes from the Twilight Zone.
Alex Galmeanu’s Pinhole Fashion Photography on Kodak T-Max 400
Kodak T-Max loans itself to pinhole photography very well due to its nature.
Duncan Hopewell: Fujifilm Acros in Nature
“There is a very real, calculable, “cost” to creating an image that makes me think more deeply about what I am attempting to convey in each frame.”
Manuel Pombo: Street Photography on Fujifilm Acros
“For me it is like the difference between a cocktail and a glass of wine. Both have their places in our lives.”